Though I still like John Huston's 1952 movie with the same title a bit more, this steamroller by Baz Luhrmann about 1899 Paris and 2001 pop TV—a definite improvement over the repulsive Strictly Ballroom—is diverting, energetic, and even reasonably satisfying, so long as you aren't looking for a real musical to take its place. What it mainly reminded me of was some of Ken Russell's better romps in the 70s (The Devils, The Music Lovers, and, best of all, Savage Messiah), with roughly the same amount of feeling, nerve, and postmodernist extravagance (though they weren't calling it postmodernism back then). The central mythical archetypes—the cabaret star and courtesan (Nicole Kidman), the evil duke she's promised to, and the penniless writer (Ewan McGregor) she's in love with—are handled with feeling and panache. Craig Pearce collaborated with Luhrmann on the script.
Director: Baz Luhrmann
Writer: Baz Luhrmann and Craig Pearce
Producer: Baz Luhrmann, Fred Baron, Martin Brown and Holly Radcliffe
Cast: Nicole Kidman, Ewan McGregor, John Leguizamo, Jim Broadbent, Richard Roxburgh, Garry McDonald, Jacek Koman, Matthew Whittet, Kerry Walker, Caroline O'Connor, David Wenham, Christine Anu, Natalie Mendoza, Lara Mulcahy and Kylie Minogue