The group made a terrific self-titled album for Okka Disk a few years ago, but to understand their real strengths you have to see them onstage; playing a weekly engagement for so long without falling into a rut is no mean feat, and the accomplishment testifies to the band's restless creativity and gift for spontaneity. Last night I ran into Hunt at the Hideout, where we were both watching the Engines play two amazing sets, and he told me that Hotti Biscotti had just been sold and that the change of ownership meant the demise of the Tuesday-night residency, long curated by former Nervous Center proprietor Richard Syska. Extraordinary Popular Delusions have two more gigs at the coffeehouse, on August 3 and 10. Hunt seems confident the band will land another steady gig, and I sure hope he's right. Even if they do, the end of this run deserves a respectful salute—those five years of regular shows represent a deep commitment to making exciting, unpredictable new music for its own sake. Extraordinary Popular Delusions are an example of the local scene at its best.
photo: Matt D. (Flickr)
Various artists, Gastonia Gallop: Cotton Mill Songs & Hillbilly Blues (Old Hat)
Yom, Unue (Buda)
Chuck Jackson, The Very Best of Chuck Jackson, 1961-1967: Any Day Now (Varese Sarabande)
QUaX Ensemble, Cornelius Cardew: Treatise (Prague 1967) (Mode)
Various artists, In the Shrine of the Heart: Popular Classics From Bukhara and Beyond (Smithsonian Folkways)