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In a recent feature in the Wire magazine, Whitman describes his side of the record: "Then my music is somehow like a reaction to what Eli does, that very natural, limb based, propulsive motor rhythm stuff. . . . Doing that without actually playing that, building a system which generates that." He goes on to say that creating a modular setup that can produce such rhythmic pieces is one of his goals now. Following the Keszler track below is an excerpt from Whitman's side-long "Occlusion," where it's easy to discern the process he's talking about above.
Toward the bottom of the page you can watch a video of Whitman demonstrating his recent modular synth setup, which is similar to what he'll be using this weekend.
Eli Keszler, "Drums, Crotales, Installed Motors, Micro-Controller Metal Plates"
Keith Fullerton Whitman, "Occlusion (excerpt)"
Choc Quib Town, Oro (Nacional)
Duke Pearson, Tender Feelin's (Blue Note)
Charlemagne Palestine, In Mid-Air (Alga Marghen)
Delbert McClinton, Room to Breathe (New West)
Iain Ballamy, Anorak—More Jazz (Basho)