His most recent studio album, Audience of One (Touch), conceived of as a four-part suite, opens with a bona fide song, with dolorous guest vocals from Paul Duncan of New York duo Warm Ghost; you can listen to that piece, "Salt," below. This isn't entirely surprising, since Ambarchi's duo with fellow Aussie Chris Townend, Sun, explores jangly songcraft (in that setting Ambarchi plays drums). But the epic second piece, "Knots," occupies more familiar terrain—it's 30-plus minutes of resonant droning, with haunting strings and horns meticulously arranged by fellow meta-musician Eyvind Kang. Furious guitar lacerations surge over swinging drum patterns played by Joe Talia, then recede into rising-and-falling string harmonies and more guitar noises, this time sounding like an amplified live wire thrashing on the ground.
"Passage" dials down the volume and tension: it's a gentle fabric of single-note guitar flickers, wordless vocals from Jessika Kenney, and subtle frictive noises from Canadian sound artist Crys Cole. It bleeds directly into the triumphant closing piece, "Fractured Mirror"—a cover of an Ace Frehley song that features a melange of acoustic guitar, electronic bossa nova beats, swells of electric guitar, and various amorphous textures. Ambarchi's music requires a degree of submission on the part of the listener, because he doesn't serve it in the most easily digestible forms (with the occasional exception such as "Salt"). But whether the sounds are violent or calm, his total engagement makes them absorbing and meditative.
Amir ElSaffar Two Rivers Ensemble, Inana (Pi)
Noah Preminger, Before the Rain (Palmetto)
The Unthanks, Last (Rough Trade)
Lina Nyberg, Palaver (Moserobie)
Jerry Gonzalez, Jerry Gonzalez y el Comando de la Clave (Sunnyside)