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Scola is better known in Argentina than in the U.S., and a friend in Buenos Aires just sent me a link to '43-'97, a virtually wordless nine-minute short Scola made about 15 years ago that she calls a "little jewel." Perhaps it is. Scola finds a way to segue from the Holocaust into an homage to a half century of cinema. It's a superior example of what an artist can get away with if he keeps it brief.