"Yearning" factors prominently in Yen Tech's aesthetic, including the name—Yen is Chinese for yearning or longing. Newlin is actually half Korean, but he plays unspecific pan-Asian in his pop identity. He says he remembers the way kids in Seoul would react to his "racial ambiguity" when he was a child, and ever since then he realized he could play around with his appearance. Newlin says he likes the way the name "Yen Tech" embraces an aesthetic idea of Asia (as well as money and technology) in a broad sense, and other folks are pretty comfortable toying with that too; when Dis Magazine debuted the video for Revengeance cut "Forever Ballin'," the site called Newlin a taikomochi, which is a Japanese male geisha.
Newlin drew upon K-pop, dubstep, and a little early-90s R&B for the maximalist tunes on Revengeance. The mixtape sounds massive: it's the kind of thing that will sound great pouring out of a huge sound system, and I can just imagine "T.R.O.U.B.L.E." playing as things wind down at an upscale club. It's a slinky tune peppered with finger-snapping and Newlin's sweet and sensual lyrics about, well, yearning for moments of intimacy. Check it out below as well as the video for the aforementioned "Forever Ballin'."