Marissa De La Cerda
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What we learned at the Chicago Humanities Festival last night
by Marissa De La Cerda | Nov 2, 2018
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Theatre for One creates a one-on-one connection between artist and audience
Court Theatre unveils a digital experiment in microtheater.
By Marissa De La Cerda | Feb 16, 2021
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Ghost Cat, aka The Cat That Came Back, is the most bananas Ellen Page movie you've never heard of
Mystery, romance, shady development deals, and adorable supernatural feline footprints: what more could you ask for?
by Cody Corrall | Feb 5, 2019
Recent Articles
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Theatre for One creates a one-on-one connection between artist and audience
Court Theatre unveils a digital experiment in microtheater.
By Marissa De La Cerda | Feb 16, 2021
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Netflix’s new series doesn’t do Selena justice
Part one of Selena: The Series attempts to capture Selena’s artistry, but fails to bring full nuance in all areas of production.
by Marissa De La Cerda | Nov 30, 2020
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Stanzas in place 1
The Chicago Poetry Center gives CPS students virtual literary lessons.
by Marissa De La Cerda | Jun 5, 2020
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I Am Not Your Perfect Mexican Daughter breaks out of the box at Steppenwolf
The bestselling novel about a young Latinx woman's struggle to find her identity is now a play.
by Marissa De La Cerda | Feb 25, 2020
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Marriage Story doesn't pick sides 34
Noah Baumbach's latest film about divorce shows both parents not as enemies but as humans.
by Marissa De La Cerda | Nov 20, 2019