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By Adam Morgan | Dec 18, 2020
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on March 17, 2021 at 10:10AM
on March 17, 2021 at 10:00AM
From Brianna Wellen's introduction, "Losses and gains: Best of Chicago 2020": Some business to get out of the way: the reader poll results were determined by you, the readers!
By Kerry Reid on March 17, 2021 at 10:00AM
Commercial theater has never been the lifeblood of Chicago the way it is in New York with Broadway, but that doesn’t mean losing for-profit producers because of you-know-what doesn’t leave a mark. Mercury Theater, the nifty 300-seat (plus intimate cabaret space) venue on the Southport corridor that started out as a nickelodeon in 1920, was originally renovated as a rental house for live theater by Michael Cullen in 1994, who also ran Cullen’s Bar and Grill next door.
By Becca James on March 17, 2021 at 10:00AM
One of the best things about Chicago is the city’s magical history, that is, its history as a hub for magicians. For many years, these performance artists have provided Chicagoans a unique and compelling form of entertainment.
By Sheri Flanders on March 17, 2021 at 10:00AM
One cannot truly write an obituary for Chicago improv, because improv, like a zombie, is inherently undead. And like most horror flicks, improv is filled with the exciting thrill of watching actors delight without the safety net of the script, combined with legitimately disturbing scares.
By Brianna Wellen on March 17, 2021 at 10:00AM
When artists of all sorts pivoted to livestreaming, the results were mixed at best. The technical difficulties of a Zoom show, the learning curve of TikTok, the inevitable energy shift that comes with playing to a computer screen, it can all add up to a bad show.
By Megan Kirby on March 17, 2021 at 10:00AM
A leisurely record store browse, a bartender’s recommendation, an unplanned run-in with a friend—pandemic life lacks these moments of happenstance. There’s no real replacement for digging through zines at Quimby’s Bookstore. The beloved store is open at limited capacity right now, but I live two bus transfers across town.
By Ariel Parrella-Aureli on March 17, 2021 at 10:00AM
Every time I walk to Humboldt Park, which is a weekly occurrence that has kept me sane and outside during the pandemic, I’m reminded of a patch of grass that was full of laughter and community during summer 2020: It was comedy in a pickup truck. When entertainment venues shuttered in the early half of the year, artists all over the city struggled.
The dedication in Samantha Irby’s latest book, Wow, No Thank You., is made out to Wellbutrin. Fitting, then, that the pages that follow are an antidepressant in their own right.
By Catey Sullivan on March 17, 2021 at 10:00AM
For the first few weeks, I was ignorantly, arrogantly certain we'd all pick up more or less where we left off. Soon.
By Elisa Shoenberger on March 17, 2021 at 10:00AM
Calling itself “The Most Instagrammable Alley in Chicago,” The 12 brings art into the alley of the Tri-Taylor neighborhood. Named for its zip code, The 12 is a housing development built by Home& where each unit has an artist-painted garage door.
By Leor Galil on March 17, 2021 at 10:00AM
Even before visual artist and designer Terrell Davis began his first year of classes at the School of the Art Institute in 2016, he’d already helped define outre pop and Web-centric electronic music. In the early 2010s, he contributed to the hallucinatory retro vision and sound of vaporwave.
By Jack Riedy on March 17, 2021 at 10:00AM
I was once a regular at Logan Square bar Golden Teardrops’s Thursday night karaoke, but singing in a crowded basement is the opposite of safe during an airborne pandemic. I was resigned to lingering in livestream comment sections until mid-April, when my friends Erin McAuliffe and Matt Munhall sent an invite to virtual karaoke.
By Jenna Rimensnyder on March 17, 2021 at 10:00AM
Remember the days of crashing an art gallery opening for free wine and a fat gourmet cheese spread? Now the thought of a crowd going open season on a platter of brie and sharp cheddar gives you the chills.
By Arionne Nettles on March 17, 2021 at 10:00AM
With closed theaters, movies played on my small TV, and the lukewarm reaction of the summer’s releases, I was itching to watch something with others. And lucky for me, the drive-in was back.
Dressed in a GlitterGuts T-shirt under a Hideout sweatshirt, sipping from an Empty Bottle mug, staring at my Reader tote bag (plug!), I can hardly remember a time before I was surrounded by merch from my favorite cultural institutions. But it’s a strangely recent phenomenon, one that was in part sparked by Barrel Maker Printing’s early-in-the-pandemic push to support small businesses with a limited run of T-shirts, $10 of each sale going directly to the business sported on the tee.
By Salem Collo-Julin on March 17, 2021 at 10:00AM
An important aspect of drag that doesn’t readily translate to a mini-challenge on RuPaul’s Drag Race is an artist’s ability to command a stage: whether that means lip-syncing in front of an audience, or marching in the streets. Chicago’s drag community showed up and showed out in 2020 at the crucial moments when we needed their unique perspectives and leadership abilities. In June, when civil unrest and public demonstrations were a consistent daily presence in the city, Black LGBTQ+ community activists organized the Drag March for Change, leading crowds on the “Boystown” strip in Lakeview to protest racial inequity in the neighborhood and beyond.
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