Issue Archive for Mar 28 - Apr 3, 2019 Vol. 48, No. 25
Spring Theater and Dance Issue
The homegrown Chicago-style circus
Puppet renaissance man
Links Hall celebrates 40 years
The weirdos and visionaries of Prop Thtr
Come celebrate the runoff results with live election coverage from Back Room Deal duo Ben Joravsky and Maya Dukmasova.
by Reader staff | Mar 26, 2019
by Rivven Prink | Apr 1, 2019
by Maya Dukmasova | Mar 27, 2019
by Maya Dukmasova | Mar 28, 2019
For the first time in decades, Chicago has a say in who its treasurer will be. But what the hell does the treasurer even do?
by Maya Dukmasova | Mar 28, 2019
A timeline of historic moments in LGBTQ elected history in the Chicago area.
by Reader staff | Apr 1, 2019
Lightfoot and Preckwinkle claim to be progressives but they stayed away from the front lines during the great fights of the Rahm years.
by Ben Joravsky | Mar 29, 2019
Audience-submitted questions from a live event in Portland, Oregon
by Dan Savage | Mar 28, 2019
by Steve Krakow | Mar 26, 2019
The Chicago four-piece twist and tear at their favorite genre to give it a strange new shape.
by Leor Galil | Mar 29, 2019
Plus: Singer-songwriter Marian Runk celebrates a vivid, folky debut album, and south-side community radio station WHPK hosts a benefit at the Bottle.
by J.R. Nelson | Mar 27, 2019
by Salem Collo-Julin | Mar 27, 2019
Its 11 shows can't make up for all the series DCASE has killed, but booking Jupiter & Okwess, Chucho Valdes, Car Seat Headrest, Lydia Loveless, and Los Amigos Invisibles helps a lot.
by Leor Galil | Mar 28, 2019
More than 5,000 tattoo enthusiasts and artists from the U.S., Asia, Europe, and South America gathered in Rosemont.
by Pat Nabong | Mar 26, 2019
"As women of color, life continuously gives us lemons."
by Brianna Wellen | Mar 29, 2019
Midnight Circus and Aloft Circus Arts have created their own intimate version of the big top in the city’s lofts and churches.
by Max Maller | Mar 28, 2019
“If you’re doing something associated with puppetry in Chicago, you have to think about Blair.”
by Dan Jakes | Mar 28, 2019
by Melissa Mendes | Mar 30, 2019
by John Porcellino | Mar 30, 2019
by Mike Centeno | Mar 30, 2019
It’s been a rehearsal room, a performance venue, a puppetry workshop, and a space for experiments of all kinds.
by Irene Hsiao | Mar 28, 2019
Under its new director, the Avondale theater's experiments will continue.
by KT Hawbaker | Mar 28, 2019
by Aimee Levitt | Mar 28, 2019
“Am I the only Latinx sharing stories right now? Where are the rest of us?”
by Catey Sullivan | Mar 28, 2019
Dutch Masters and The Undeniable Sound of Right Now ask how much has really changed in politics and music.
by Catey Sullivan | Mar 28, 2019
Kerry Reid’s top picks for spring theater
by Kerry Reid | Mar 28, 2019
La Guiablesse was imagined by and starring a white woman who choreographed the piece for her city’s most talented black dancers.
by Liesl Olson | Mar 28, 2019
The ghost light, a single bulb in an empty theater, is for safety—and superstition.
by Matthew Gilson | Mar 29, 2019
Sarah Ruhl’s contemporary farce crosses the line from self-awareness to self-parody.
by Dan Jakes | Mar 27, 2019
Lynn Nottage's Pulitzer winner should be required viewing.
by Max Maller | Mar 27, 2019
Court Theatre’s production is one of the highlights of the season.
by Sheri Flanders | Mar 27, 2019
A simple, elegant Shakespeare adaptation
by Jack Helbig | Mar 28, 2019
The company ends its run with the same play with which it first debuted in 1994.
by Albert Williams | Mar 29, 2019
It's a moving depiction of crippling homelessness and how solutions feel completely out of reach.
by Marissa Oberlander | Mar 28, 2019
Sitting through this play is like spending an hour and a half with a Greenpeace volunteer on the street.
by Dmitry Samarov | Apr 1, 2019
Breaking the frame brings this German avant garde play to life.
by Max Maller | Mar 29, 2019
A stellar cast keeps the parody musical cruising.
by Kerry Reid | Mar 29, 2019
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