Almanac of Fall | Movie Critic's Choice | Chicago Reader

Film » Movie Critic's Choice

Almanac of Fall

by

Sign up for our newsletters Subscribe

comment

In his first three films Bela Tarr--conceivably the most important Eastern European filmmaker currently working--betrays an impatience with cinematic style, focusing almost exclusively on content, but that tendency was radically overturned with this 1984 feature, whose taste and intelligence are specifically (and exquisitely) cinematic and revealed Tarr as a master stylist. Set entirely in an apartment inhabited by an elderly woman, her son, his former teacher, the old woman's nurse, and the nurse's lover, the film consists mainly of intense two-part dialogues and encounters largely concerned with the old woman's money. The remarkable use of color depends on a lighting scheme that divides most areas (and characters) into blue and orange, and the elaborately choreographed mise en scene is consistently inventive and unpredictable, making use of highly unorthodox angles and very slow camera movements. As in Damnation (1987), the mise en scene often seems to be composed in counterpoint to the action, but the drama itself (whose Strindbergian power and sexual conflicts are realized with an intensity and concentration that suggests John Cassavetes) carries plenty of charge on its own. A 16-millimeter print will be shown. Facets Multimedia Center, 1517 W. Fullerton, Wednesday and Thursday, December 26 and 27, 6:30 and 8:45, 773-281-4114.

Support Independent Chicago Journalism: Join the Reader Revolution

We speak Chicago to Chicagoans, but we couldn’t do it without your help. Every dollar you give helps us continue to explore and report on the diverse happenings of our city. Our reporters scour Chicago in search of what’s new, what’s now, and what’s next. Stay connected to our city’s pulse by joining the Reader Revolution.

Are you in?

  Give $35/month →  
  Give $10/month →  
  Give  $5/month  → 

Not ready to commit? Send us what you can!

 One-time donation  → 

Add a comment