Arliss Howard, making his directorial debut, takes on the self-pity of 60s burnout with decidedly mixed and often sloppy results. Adapted from Larry Brown's short story collection, the film focuses on a divorced Vietnam vet in Mississippi (Howard) who collects piles of rejection slips for his fiction, gets occasional house-painting jobs from an old war buddy (Paul Le Mat), and sporadically makes halfhearted, wistful efforts to win back his estranged wife (Debra Winger, who also produced). This recalls a lot of 60s novels fueled by internal monologue (particularly Herzog) as well as British and Hollywood films that tried to achieve the same effect, mostly by ripping off the French New Wave; unfortunately Howard lacks the sense of film rhythm (or literary rhythm, for that matter) required to make such an exercise work. Just about the only clear triumph here is an underplayed performance by Angie Dickinson, though Winger and Rosanna Arquette also provide welcome relief from Howard and Le Mat's self-indulgent carousing. 111 min.