Billy Jack | Chicago Reader

Billy Jack

Rated PG 114 minutes

This neo-fascist little morality play (1971) has charmed a lot of critics and made a fortune for its director/producer Tom Laughlin, but its strained, wretched argument—that violence is the ticket for all misunderstood flower children and shiftless Viet vets—conjures up memories of Triumph of the Will. Subtitle it “Horst Wessel Out West,” and try to forget about it.

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