Dangerous Men | Chicago Reader

Dangerous Men

Shot over several decades, this shoestring production by John S. Rad has built up a cult following on the strength of its singularly perverse vision. It begins as a revenge fantasy—after being raped by two loutish bikers, a woman poses as a prostitute and kills her johns—but any plot momentum is subverted by cutaways that have nothing to do with the action. About halfway through the movie Rad drops the woman altogether, focusing instead on a cop as he tries to track down an albino biker named Black Pepper.

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