Experimental Films: Mythology and Abstraction in Queer Representation | Chicago Reader

Experimental Films: Mythology and Abstraction in Queer Representation

Films by Willard Maas (Geography of the Body, 1943, 7 min.; Mechanics of Love, codirected by Ben Moore, 1955, 7 min.; Narcissus, codirected by Moore, 1956, 59 min.); Kenneth Anger (Puce Moment, 1949, 6 min.; Eaux d'Artifice, 1953, 13 min.); Marie Menken (Bagatelle for Willard Maas, 1961, 5 min.; Arabesque for Kenneth Anger, 1961, 4 min.); Gregory Markopoulos (Swain, 1950, 24 min.); and Charles Boltenhouse (Dionysius, 1963, 26 min.)

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