Abraham Polonsky's superior 1949 melodrama about the numbers racket. A poetic, terse, beautifully exact, and highly personal re-creation of the American underworld, with an unpunctuated Joycean screenplay by Polonsky that is perhaps unique in the American cinema. This is film noir at its best. Beautifully acted by John Garfield, Thomas Gomez, and Beatrice Pearson.
By Don Druker