Hidden Objects | Chicago Reader

Hidden Objects

James Fotopoulos may be Chicago's most prolific young filmmaker. At his best Fotopoulos uses minimal means to create an uncomfortable sense of being trapped: people feel stuck in their skins, objects seem heavy and barely movable. Several sections of his 12-part film, Hidden Objects, center on out-of-focus blobs, and in one a view of railroad tracks ends with a pan up that provides no release. His works have a morbidly static feeling that makes the ticking of time toward death almost palpable.

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