In Vanda's Room | Chicago Reader

In Vanda's Room

Pedro Costa's longest and most challenging film (2000) is also the one in which he most fully discovers his present method (shooting beautifully composed tableaux without camera movement in digital video, with scripted dialogue) and subject matter (immigrants from Cape Verde and junkies, all nonprofessional actors playing themselves, inhabiting hovels in a Lisbon slum that are audibly and visibly being razed). The title heroine, who lives with her mother and sister, spends most of her time getting stoned or selling vegetables door-to-door, and we get to know the daily rituals of many of her neighbors equally well. Sandwiched between Costa's Bones (1997) and Colossal Youth (2006), which feature some of the same people and settings, as well as comparably exquisite lighting and employment of color, this is passionate and demanding chamber cinema of a very special kind. In Portuguese with subtitles. 178 min.

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