Junk Food

This 1997 piece of Japanese exploitation by writer-director Masashi Yamamoto shuttles between a devout blind woman, a crazed drug addict, a gang war, a Pakistani thief who hopes to marry a Japanese woman, and a Japanese-American who works temporarily as a prostitute and hooks up with a guy from the provinces, all within the same 24-hour period in Tokyo. The strength of the picture—apart from its gritty stylistic eclecticism, which incorporates video and unorthodox editing that suggests various drug experiences—rests mainly in its uncharacteristic and “unofficial” glimpses of Japanese society, especially of people living on the fringes of that society. A somewhat noirish project occasionally confused by the filmmaker's desire to hoke things up with as much sex, violence, and gore as possible.

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