Kismet, Kismet | Chicago Reader

Kismet, Kismet

This rather lackluster first feature by Ismet Elci, a disciple of West German independent filmmaker Lothar Lambert, has many of the same low-budget attributes as films by Lambert—short takes, semisynchronous sound—but little of the charm or energy. The plot concerns two young Turks in Berlin, a carpet seller who is trying to produce a film and a hustler who gets involved with drugs and robbery. Many Lambert regulars make appearances, including Lambert himself.

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