Laurel Aitken/ New York Ska-Jazz Ensemble | Critic's Choice | Chicago Reader

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Laurel Aitken/ New York Ska-Jazz Ensemble

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LAUREL AITKEN/NEW YORK SKA-JAZZ ENSEMBLE

A hero from ska's illustrious past and an enticing prospect for its future share the stage this week when 71-year-old Laurel Aitken rolls through town with the New York Ska-Jazz Ensemble. The Cuban-born Aitken, who immigrated to Jamaica as a child in 1938, is rightly known as the godfather of ska: in 1958 his hit single "Boogie in My Bones"/"Little Sheila" established the now famous Island label. In retrospect the two tunes together composed a crude recipe for ska; "Boogie," with its whorehouse baritone sax, grooved like American R & B, while "Sheila" revealed Aitken's Latin roots. But as the genre evolved in Jamaica, Aitken moved on to England, where he pioneered the ska variant dubbed "blue beat," setting the stage for the 2-Tone movement of the late 70s. The Blue Beat Years (Moon Ska), a 1995 collection of remade classics, finds Aitken's warm, bluesy voice still in remarkable shape. Aitken's backup band on this tour, the superb New York Ska-Jazz Ensemble, opens the show with a set of its own; formed in 1994 by members of the Toasters, the Skatalites, and the Scofflaws, the six-man outfit follows ska's roots in swing out into the harmonic space of modern jazz. Its debut recording adapted Monk and Mingus, and its new release, Get This! (Moon Ska), includes a rendition of Horace Silver's "Filthy McNasty" and a gently syncopated version of Duke Ellington's "Mood Indigo." The ensemble also dabbles in soul (a skanking cover of the Aretha Franklin hit "See Saw"), jump (saxophonist Freddie Reiter's "Arachnid"), and salsa (trombonist Rick Faulkner's "Morningside"), and should have no trouble adapting to Aitken's vintage material. Wednesday, 10 PM, Subterranean Cafe & Cabaret, 2011 W. North; 773-278-6600. J.R. JONES

Art accompanying story in printed newspaper (not available in this archive): uncredited photos.

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