Limite | Chicago Reader

Limite

Sometimes cited as the greatest of all Brazilian films, this silent experimental feature (1931) by novelist Mario Peixoto, who never completed another film, was seen by Orson Welles and won the admiration of everyone from Sergei Eisenstein to Walter Salles. But its status as a poetic narrative—about a man and two women lost at sea in a rowboat, whose pasts are conveyed in flashbacks—has kept it in the margins of most film histories, where it's been known mainly as a provocative and legendary cult item. The remarkably luscious and mobile cinematography (for which cameraman Edgar Brazil had to build special equipment) alone makes it well worth seeing.

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