The MC5 celebrate the 50th anniversary of Kick Out the Jams | Fall Preview | Chicago Reader

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The MC5 celebrate the 50th anniversary of Kick Out the Jams

Wayne Kramer and worthy sidemen play Metro in honor of the protopunk classic.

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I've become bored by rock reunions. Well, less the actual reunion than the cottage industry that's convinced any musician who once recorded something a small crowd called influential to get the old band back together—or worse, hire a team of young guns to play songs they never had a hand in and tour as the allegedly reunified band. These days reunions are like encores; an act bands once partook in because the feeling moved them, it's now an event fans expect will happen.

I do make exceptions, though. This fall it's for the MC50 tour, which celebrates the 50th anniversary of the MC5's incendiary debut album, Kick Out the Jams; it stops at the Metro on October 24. For one thing, this isn't a straight reunion. Guitarist Wayne Kramer is the only original member of the rebellious Detroit protopunk group who will be around for the whole tour (drummer Dennis Thompson, his only living bandmate, will join for select dates). He's backed not by an anonymous gaggle of musicians but by a few masters who've also changed the course of popular music: Faith No More bassist Billy Gould, Fugazi drummer Brendan Canty, and Soundgarden guitarist Kim Thayil. Vocalist Marcus Durant fronted the lesser-known grunge-blues outfit Zen Guerrilla, which released one album on Jello Biafra's Alternative Tentacles and two on Sub Pop.

In theory, the lineup makes it easier for this show to be about reflection. This isn't the old gang trying to perfectly re-create a single album, but a collection of musicians with distinctive memories of the material who are coming together to work out what it means now. The MC5 recorded Kick Out the Jams a couple of months after they plugged their amps into a hot-dog vendor's power outlet to perform in Lincoln Park as part of the 1968 Democratic National Convention protests; a riot broke out at the end of their set. Again our country feels like it's on the verge of collapse, but Kramer seems to know music has the capacity to bring people together.   v

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