Memory, History, Consciousness: The Video and Television Work of Chris Marker | Chicago Reader

Memory, History, Consciousness: The Video and Television Work of Chris Marker

A little over two hours of recent videos by the great essayistic filmmaker Chris Marker (Sans soleil), ranging from playful personal works—such as Bestiary, put together between 1985 and 1993 and consisting of a record of the filmmaker's cat's responses to Ravel, the repeated staring of an owl, and two separate videos shot at a zoo—to documentaries for European television, including one that features Andrei Tarkovsky shooting the last sequence of his last film and then watching the film on video from his sickbed, a playful 1988 tour of Tokyo streets, a 1990 survey of reunified Berlin, a monologue by the painter Roberto Matta about his own work, and a fascinating account of a community of Bosnian refugees in Slovenia pirating TV signals to watch the news together. The videos about Tokyo, Berlin, and Tarkovsky aren't subtitled, but they're still highly watchable (and they contain bits of English, including actress Arielle Dombasle's charming imitation of an American accent in the Tokyo work). The overall experience is roughly akin to channel surfing in a European hotel with a satellite dish.

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