A slickly made and occasionally creative action drama, of the thoughtful sort they seldom make anymore. The hero of Philip Noyce's 1978 Australian film is a newsreel cameraman, a device that allows Noyce to cut between stock shots and new footage, black and white and color, and historical and personal events. The montage sometimes makes good drama and good sense, but at other points the intent is every bit as obscure as the Australian politicians the film constantly alludes to. Too long by half, but Noyce has a good eye and decent instincts. 100 min.