Nora Helmer | Chicago Reader

Nora Helmer

Rainer Werner Fassbinder's shortened 1973 version of Ibsen's A Doll's House—shortened to the extent that the heroine (Margit Carstensen) no longer leaves home at the end, a change Fassbinder defended as more realistic. As in Martha (also 1973), Carstensen seems to elicit a baroque mise en scene from Fassbinder; despite a bleached-out look from having been shot on video, it's still an eyeful.

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