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Jennie Livingston's exuberant and loving documentary about "voguing" and the drag balls of Harlem is both a celebration and a canny commentary. Delving into the dance poses and acrobatic moves of black and Latino gay men, she enters this highly ritualized subculture with a genuine sense of curiosity and discovery, and is wise enough to let the participants themselves do most of the explaining. One emerges from this film not only with a new vocabulary and a fresh way of viewing the straight world, but with a bracing object lesson in understanding what society "role models" are all about. See it (1990). (Fine Arts)

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