Sabrina | Theater Critic's Choice | Chicago Reader

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Alot better than one might have expected, this remake of Billy Wilder's weakest romantic comedy of the 50s manages to minimize the jaded, dirty-old-man aspect of the sub-Lubitsch original (a flaw it shares with Wilder's Love in the Afternoon) with better casting. Humphrey Bogart certainly had his gifts, but Harrison Ford makes a much better romantic lead as a tycoon opposite a gamine chauffeur's daughter; and if Julia Ormond initially seems to be playing Audrey Hepburn rather than Sabrina--an impression furthered by various references to Funny Face--she eventually takes over the part for herself. Sydney Pollack directs with the sort of old-fashioned polish that was easy to take for granted two decades ago but almost looks like classicism today. With TV-talk-show host Greg Kinnear as the tycoon's brother (originally played by William Holden), Nancy Marchand, and John Wood, in a script by Barbara Benedek and David Rayfiel, who adapted the original screenplay that Wilder, Samuel Taylor, and Ernest Lehman based on Taylor's play. This is basically double-dealing Hollywood nonsense with all the usual dishonesty, but it goes down easily. Ford City, Golf Mill, Lincoln Village, North Riverside, Water Tower, Norridge, Old Orchard, Webster Place.

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