See You in the Morning | Theater Critic's Choice | Chicago Reader

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See You in the Morning

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Jeff Bridges gives one of his best performances to date in an absorbing romantic comedy-drama written and directed by Alan J. Pakula about the emotional confusions and adjustments that take place when a divorced psychiatrist (Bridges) and a widow/photographer (Alice Krige), both of whom have two children from their previous spouses, decide to get married. The New York setting and the economic bracket and well-educated veneer of the characters (as well as the effective use of familiar songs) suggest the world of Woody Allen, but this is incomparably better in its insights and density than any of Allen's efforts; the characters steadily grow in interest and complexity as the plot unfolds, and although the two-hour movie may be slightly longer than it has to be, it does a surprisingly deft job of acquainting us with about a dozen major characters, not one of whom is a stock figure. With Farrah Fawcett (as the psychiatrist's former wife), Drew Barrymore, Lukas Haas, David Dukes, Frances Sternhagen, George Hearn, Theodore Bikel, and Linda Lavin. All these actors are very fine, but the always able Bridges surpasses himself--his performance is a series of inventive and unexpected grace notes throughout. (Ford City East, Edens, McClurg Court, Orland Square, Woodfield, Forest Park, Burnham Plaza, Oakbrook, Golf Mill, Lincoln Village, Evanston, Norridge, Webster Place)

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