Ira Sachs wrote and directed this stylistically captivating, subtly nuanced, and structurally unpredictable 1996 independent feature. Like Spike Lee?s He Got Game, the film focuses on an oedipal scenario that partially hinges on skin color. The central figure is Minh (Thang Chan), the immigrant son of a poor Vietnamese woman and a black American soldier, although his centrality isn?t apparent at first. Most of the first part of the film concerns a well-to-do, sexually confused teenager (Shayne Gray) who picks up Minh for sex, then goes off on a date with his steady girlfriend (whom he mainly ignores) before gravitating back to Minh much later. Because the wholly believable dialogue is more overheard than heard, and because Sachs is interested in showing us a whole Memphis milieu, Minh?s hatred for his father—a mirror image of the racism he encounters in the world around him—doesn?t seem as important at first as we eventually discover it is. If you think contemporary social reality rarely winds up in movies, this feature offers a bracing if mainly low-key exception to the rule.