The Flicker and Line Describing a Cone | Chicago Reader

The Flicker and Line Describing a Cone

Two classic experimental works with pronounced visceral effects—quite aggressive in the case of Tony Conrad's 30-minute The Flicker (1965), which rapidly alternates black frames and white frames, and relatively soft and subtle in Anthony McCall's 1973 projection piece Line Describing a Cone, which the audience is invited to circle and inspect.

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