The Turning Point | Chicago Reader

The Turning Point

Herbert Ross continues the venerable tradition of butting ballet and melodrama in a story of two old rivals (Shirley MacLaine and Anne Bancroft) squabbling over the artistic soul of MacLaine's daughter (Leslie Browne). The musical question, as always (cf The Red Shoes), is whether to dance or to love. For a film ostensibly dedicated to physical grace, Ross's images are unforgivably clumsy. MacLaine and Bancroft, though, work up some sparks in the last two reels.

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