Three Sad Tigers | Chicago Reader

Three Sad Tigers

Raul Ruiz's first completed Chilean feature (1968) is not one of his best works, but it does showcase his peculiar trait of elaborating a plot that is flattened into incoherence or irrelevance for the sake of a labyrinthine formal structure. Filmed in Santiago almost exclusively with a handheld camera following a number of not very interesting characters, it was inspired in part by Mexican melodramas—demonstrating that Ruiz saw himself working in relation to a B-film tradition from the beginning.

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