Triumph67 | Chicago Reader


First-time director Dan Tanz hangs this low-budget drama on one of the oldest tricks in the independent filmmaker's playbook: to overcome the inexperience of his actors, he has them sit around for most of the movie, then reveals near the end that they're all mourning a shared trauma. When Ingmar Bergman did this in The Passion of Anna (1969), he generated narrative momentum by making his listless characters good conversationalists; Tanz and cowriter Heidi Haaland, keeping their dialogue sparse and flat, generate only monotony. The story concerns the frustrated relationship between two adult sons of a Palestinian refugee--one a dour radio host, the other an irresponsible romantic. Aside from some heartfelt allusions to Palestinian history, there's nothing of interest here.



  • Dan Tanz


  • Kareem Aal
  • Adam Elsafy
  • Mohannad Ghawanmeh
  • Sarah Martens


  • Heidi Haaland
  • Dan Tanz
  • Jeremy Wilker

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