White Hunter, Black Heart | Theater Critic's Choice | Chicago Reader

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White Hunter, Black Heart

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Clint Eastwood's most assured and interesting job of direction to date is an adaptation of Peter Viertel's roman a clef about the events preceding shooting of The African Queen, with Eastwood playing the John Huston part--a director who decides to shoot a movie in Africa in order to hunt elephants. In a daring departure from his usual roles, Eastwood doesn't so much impersonate Huston as offer a commentary on him and on macho bluster in general, and thanks to the beautifully structured script by Viertel, James Bridges, and Burt Kennedy--which also has a lot of interesting things to say about colonialism and Hollywood (both separately and in conjunction with one another)--it's a devastating portrait of self-deceiving obsession, and a notable improvement on Viertel's book in terms of economy and focus. With Jeff Fahey, George Dzundza, Alun Armstrong, Marisa Berenson, Timothy Spall, and Mel Martin. (Water Tower, Lincoln Village, Golf Glen, Norridge, Ford City)

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