Two period pieces of anticommunist noir. Woman on Pier 13 (1950), which started out under the title I Married a Communist, was offered to various directors by RKO studio head Howard Hughes, who theorized that anyone turning down the assignment must be suspect. Unfortunately the movie itself, a standard and fairly unimaginative gangster film directed by Robert Stevenson, doesn't live up to its legendary reputation, despite the presence of Robert Ryan. I probably haven't seen Shack out on 101 since it came out in 1955, but judging by its cast—Terry Moore, Frank Lovejoy, Lee Marvin, and Keenan Wynn—and its rock-bottom budget, it's probably much more interesting. Edward Dein directed.